The Leaveamessage project
Angel Kanchev street @ Sofia, Bulgaria (test)
The first leaveamessage prototype installed @ TENT, Rotterdam
Yoana Buzova, an interdisciplinary artist, passionate about public space and short-lived, neglected moments and objects. In my work,
I employ low-tech, DIY methods, found and repurposed material to create poetic moments. I am currently obsessed with boxes. I have a BA in Photography at The National Academy for Theatre and Film Arts, Sofia, Bulgaria and currently study under the master programme of Media Design Communication Department at the Piet Zwart Institute, Rotterdam. Member of the The Tip Top Orchestra Founder of A.S.M.A. LINK oyoana LINK vimeo
Sunday, June 08, 2014
Saturday, June 07, 2014
markthal
Arno Coenen and Iris Roskam
Opening october 2014
Dutch artist Arno coenen and Iris roskam have completed ‘horn of plenty’ within the much anticipated markthal in Rotterdam, making it the largest artwork in the netherlands. The interior of the horse shoe-shaped structure, designed by local architecture practice MVRDV is wrapped around its concave ceiling in an 11,000 square meter artwork, canvassing the entire surface with individually placed screens. The digital expanse projects larger-than-life images of vibrantly colored fruits, grains, and vegetables-symbolically linking to the harvest of goods which will be sold within the markthal. LINK candyandcandy
Opening october 2014
Dutch artist Arno coenen and Iris roskam have completed ‘horn of plenty’ within the much anticipated markthal in Rotterdam, making it the largest artwork in the netherlands. The interior of the horse shoe-shaped structure, designed by local architecture practice MVRDV is wrapped around its concave ceiling in an 11,000 square meter artwork, canvassing the entire surface with individually placed screens. The digital expanse projects larger-than-life images of vibrantly colored fruits, grains, and vegetables-symbolically linking to the harvest of goods which will be sold within the markthal. LINK candyandcandy
Wednesday, June 04, 2014
Jacques Brel
Ne me quitte pas
Jacques Brel (French: [ʒak bʁɛl]; 8 April 1929 - 9 October 1978) was a Belgian singer-songwriter who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following, initially in Belgium and France, later throughout the world. He was widely considered a master of the modern chanson. Although he recorded most of his songs in French, he became a major influence on English-speaking songwriters and performers such as David Bowie, Alex Harvey, Leonard Cohen, Marc Almond and Rod McKuen. English translations of his songs were recorded by many top performers in the United States, including Ray Charles, Judy Collins, John Denver, the Kingston Trio, Nina Simone, Frank Sinatra, Scott Walker, and Andy Williams. In French-speaking countries, Brel was a successful actor, appearing in ten films. He also directed two films, one of which, Le Far West, was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Having sold over 25 million records worldwide, Brel is the third best-selling Belgian recording artist of all time. LINK youtube
Jacques Brel (French: [ʒak bʁɛl]; 8 April 1929 - 9 October 1978) was a Belgian singer-songwriter who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following, initially in Belgium and France, later throughout the world. He was widely considered a master of the modern chanson. Although he recorded most of his songs in French, he became a major influence on English-speaking songwriters and performers such as David Bowie, Alex Harvey, Leonard Cohen, Marc Almond and Rod McKuen. English translations of his songs were recorded by many top performers in the United States, including Ray Charles, Judy Collins, John Denver, the Kingston Trio, Nina Simone, Frank Sinatra, Scott Walker, and Andy Williams. In French-speaking countries, Brel was a successful actor, appearing in ten films. He also directed two films, one of which, Le Far West, was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Having sold over 25 million records worldwide, Brel is the third best-selling Belgian recording artist of all time. LINK youtube
Marijke Groeneveld
MAK ( Marijke Groeneveld, 1986) is a photographer living in Rotterdam, The Netherlands. She also a assistant by different photographers. LINK M-A-K
Sunday, June 01, 2014
Performance Art Event (PAE) and Gouwstraat
@ This could be Rotterdam or anywhere
This could be anybody's home (PAE) What makes other peoples home so fascinating? Three residents of Charlois will host a performance in their house performance in their house. This could be in anybody 's home is the title of the project with performances created by the Rotterdam-based artists Nina Boas and Ieke Trinks, both are organizers of PAE and members of performance collective Trickster. What is the experience of art in someone's home compared to a gallery setting? How do you look at art, does the resident and the interior affects your experience of the work?
Gouwstraat, street of arts and crafts Looking through the windows of what used to be vacant retail shops, you see a lot of workplaces and studios. But what happens inside? This weekend artists will get out on the streets to show you and you are invited in! See how pottery, glass art, clothes, graphic art (and much more) are made and join one of the workshops or guided tours. There are also live performances and children will be working of a fashion show. Welcome in the Gouwstraat, street of arts and crafts!
LINK performanceartevent LINK Gouwstraat
This could be anybody's home (PAE) What makes other peoples home so fascinating? Three residents of Charlois will host a performance in their house performance in their house. This could be in anybody 's home is the title of the project with performances created by the Rotterdam-based artists Nina Boas and Ieke Trinks, both are organizers of PAE and members of performance collective Trickster. What is the experience of art in someone's home compared to a gallery setting? How do you look at art, does the resident and the interior affects your experience of the work?
Gouwstraat, street of arts and crafts Looking through the windows of what used to be vacant retail shops, you see a lot of workplaces and studios. But what happens inside? This weekend artists will get out on the streets to show you and you are invited in! See how pottery, glass art, clothes, graphic art (and much more) are made and join one of the workshops or guided tours. There are also live performances and children will be working of a fashion show. Welcome in the Gouwstraat, street of arts and crafts!
LINK performanceartevent LINK Gouwstraat
Friday, May 30, 2014
This could be Rotterdam or anywhere
This weekend in Charlois Rotterdam
More than 100 artists from inside and outside Rotterdam show their work in performances and exhibitions. In special locations in the harbor area of Charlois Rotterdam. LINK kunstweekendcharlois (site in Dutch)
More than 100 artists from inside and outside Rotterdam show their work in performances and exhibitions. In special locations in the harbor area of Charlois Rotterdam. LINK kunstweekendcharlois (site in Dutch)
Sunday, May 25, 2014
The Red Tulip Film Festival
The Red Tulip Film Festival is organized to attract the attention to the cultural profoundness and to the modern face of Turkey via professional cultural discipline and to strengthen the relationship between the two countries via cinema in the international film festival center of the Netherlands, Rotterdam.
Rode Tulp Film Festival (RTFF),
Hollanda’nın uluslararası sinema festivalleri merkezi Rotterdam’da, Türkiye’nin çağdaş yüzüne, kültürel birikimine, profesyonel bir kültür disipliniyle dikkat çekmek, iki ülke arasındaki kültürel bağları sinema aracılığıyla güçlendirmek ve sürdürülebilir olmasını sağlamak amacıyla tasarlanmıştır. RTFF, Hollanda’da 400 bini aşkın nüfusuyla Türkiyelilerin kendi aralarındaki bağı da güçlendiren “kültürel bir randevu” olurken, Türk sinemasının sesini dünyaya Rotterdam’dan duyuracak özel bir etkinlik olmayı hedeflemiştir.
LINK rtff LINK lantarenvenster
Hollanda’nın uluslararası sinema festivalleri merkezi Rotterdam’da, Türkiye’nin çağdaş yüzüne, kültürel birikimine, profesyonel bir kültür disipliniyle dikkat çekmek, iki ülke arasındaki kültürel bağları sinema aracılığıyla güçlendirmek ve sürdürülebilir olmasını sağlamak amacıyla tasarlanmıştır. RTFF, Hollanda’da 400 bini aşkın nüfusuyla Türkiyelilerin kendi aralarındaki bağı da güçlendiren “kültürel bir randevu” olurken, Türk sinemasının sesini dünyaya Rotterdam’dan duyuracak özel bir etkinlik olmayı hedeflemiştir.
LINK rtff LINK lantarenvenster
Exiting Production
Book
Art: Fabienne van Maanen
Organisation: Alicyn Henning
Design and Binding: Dolf Pauw
Limitid edition
Art: Fabienne van Maanen
Organisation: Alicyn Henning
Design and Binding: Dolf Pauw
Saturday, May 24, 2014
Joachim Koester
The Place of Dead Roads
23 May - 17 August 2014
@ Centre d'Art Contemporain Genève
The Centre d'Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012. Using video, 16mm film, installation and photography, Koester's work explores those troubled interzones between conscious and unconscious, the occult and the rational. The body and the notion of performance are recurring themes in his work. Koester is a conceptual, experimental artist who dramatizes the human body and creates a language of movement and gestures that evoke questions of trance and possession. Joachim Koester's exhibition at the Centre will feature a new video, surrounded by a huge installation in the form of tunnels and rooms made out of fragments of wood and occupying one whole floor of the building. Shot inside the installation, the film uses codes borrowed from the Western and presents four characters whose expressions and gestures suggest a ritualized duel… Joachim Koester is an artist born in 1962 in Copenhagen, Denmark. Curator: Andrea Bellini, director of the Centre d'Art Contemporain Genève. LINK centre
23 May - 17 August 2014
@ Centre d'Art Contemporain Genève
The Centre d'Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012. Using video, 16mm film, installation and photography, Koester's work explores those troubled interzones between conscious and unconscious, the occult and the rational. The body and the notion of performance are recurring themes in his work. Koester is a conceptual, experimental artist who dramatizes the human body and creates a language of movement and gestures that evoke questions of trance and possession. Joachim Koester's exhibition at the Centre will feature a new video, surrounded by a huge installation in the form of tunnels and rooms made out of fragments of wood and occupying one whole floor of the building. Shot inside the installation, the film uses codes borrowed from the Western and presents four characters whose expressions and gestures suggest a ritualized duel… Joachim Koester is an artist born in 1962 in Copenhagen, Denmark. Curator: Andrea Bellini, director of the Centre d'Art Contemporain Genève. LINK centre
Sunday, May 18, 2014
Do you remember (1) ?
Europe The Final countdown
"The Final Countdown" is a song by the Swedish band Europe, released in 1986. Written by Joey Tempest, it was the first single from the band's third studio album which was also named The Final Countdown. The song reached No. 1 in 25 countries including the United Kingdom, and was certified gold in the United Kingdom in 1986. In the United States the song peaked at No. 8 on the Billboard Hot 100 and at No. 18 on the Billboard Album Rock Tracks chart. The song was based on a keyboard riff that Joey Tempest had written as early as 1981 - 82. on a Korg Polysix keyboard he borrowed from keyboardist Mic Michaeli. In 1985, bassist John Levén suggested that Tempest should write a song based on that riff. Tempest recorded a demo version of the song and played it for the other band members. At first the members expressed mixed reactions to it. "When I first heard the synth intro to 'The Final Countdown', my reaction was: 'No, this is nuts. We just can't use this,'" guitarist John Norum said, "Thank God they didn't listen to me." "Some of the guys in the band thought it was too different for a rock band, "Tempest said, "But in the end I fought hard to make sure it got used." The song's lyrics were inspired by David Bowie's song "Space Oddity". The sound of the keyboard riff used in the recording was achieved by using a Yamaha TX-816 rack unit and a Roland JX-8P synthesizer. "I made a brassy sound from the JX-8P and used a factory sound from the Yamaha, and just layered them together," Michaeli said. When it was time to choose the first single from the album The Final Countdown, Tempest suggested the song "The Final Countdown". Originally the band had never planned to release the song as a single, and some members wanted "Rock the Night" to be the first single. "The Final Countdown" was written to be an opening song for concerts, and they never thought it would be a hit. But when their record company Epic Records suggested that it should be the first single, the band decided to release it. LINK Youtube
"The Final Countdown" is a song by the Swedish band Europe, released in 1986. Written by Joey Tempest, it was the first single from the band's third studio album which was also named The Final Countdown. The song reached No. 1 in 25 countries including the United Kingdom, and was certified gold in the United Kingdom in 1986. In the United States the song peaked at No. 8 on the Billboard Hot 100 and at No. 18 on the Billboard Album Rock Tracks chart. The song was based on a keyboard riff that Joey Tempest had written as early as 1981 - 82. on a Korg Polysix keyboard he borrowed from keyboardist Mic Michaeli. In 1985, bassist John Levén suggested that Tempest should write a song based on that riff. Tempest recorded a demo version of the song and played it for the other band members. At first the members expressed mixed reactions to it. "When I first heard the synth intro to 'The Final Countdown', my reaction was: 'No, this is nuts. We just can't use this,'" guitarist John Norum said, "Thank God they didn't listen to me." "Some of the guys in the band thought it was too different for a rock band, "Tempest said, "But in the end I fought hard to make sure it got used." The song's lyrics were inspired by David Bowie's song "Space Oddity". The sound of the keyboard riff used in the recording was achieved by using a Yamaha TX-816 rack unit and a Roland JX-8P synthesizer. "I made a brassy sound from the JX-8P and used a factory sound from the Yamaha, and just layered them together," Michaeli said. When it was time to choose the first single from the album The Final Countdown, Tempest suggested the song "The Final Countdown". Originally the band had never planned to release the song as a single, and some members wanted "Rock the Night" to be the first single. "The Final Countdown" was written to be an opening song for concerts, and they never thought it would be a hit. But when their record company Epic Records suggested that it should be the first single, the band decided to release it. LINK Youtube
Saturday, May 17, 2014
Cedric Price
Cedric Price (1934 - 2003) was one of the most influential and visionary architects of the late-twentieth century, focusing on time-based urban interventions and flexible or adaptable projects that invited the user’s participation. His implicit criticism of contemporary notions of architecture earned Price heroic status among fellow architects such as Will Alsop, Archigram, Arata Isozaki, Rem Koolhaas, and Bernard Tschumi. Fun Palace is Cedric Price’s most celebrated work. Whether characterised as a giant toy or as a building-sized transformable machine, the project’s interest resides in its radical reliance on structure and technology, its exemplification of notions of time-based and anticipatory architecture. With Fun Palace, Price addressed social and political issues that go far beyond the typical bounds of architecture. LINK designmuseum
Wednesday, May 14, 2014
Adriaen Coorte
Dutch still-life painter, active around Middelburg. Nothing is known of his life, and his work was completely forgotten for more than two centuries after his death. Only a handful of paintings by him survive, but they show him to have been one of the most individual still-life painters of his time. They are the complete opposite of the lavish pieces by such celebrated contemporaries as Jan van Huysum and Rachel Ruysch, for they are small in scale and depict a few humble objects, characteristically placed on a bare ledge. The intensity of his scrutiny is such, however, that they take on something of the mystical quality of the still lifes of Sánchez Cotán or Zurbarán, and the hovering butterfly that Coorte sometimes incorporates in his work may have allegorical significance. One of his favourite subjects was a bundle of asparagus (examples in the Rijksmuseum, Amsterdam; the Fitzwilliam Mus., Cambridge; and the Ashmolean Mus., Oxford).
LINK Rijksmuseum AMS
LINK Rijksmuseum AMS
Sunday, May 11, 2014
Saturday, May 10, 2014
Joris van der Ploeg
@ LOADED in Loods 6 and SBK
may 30 - june 3 2014
Joris van der Ploeg (1989) discovered his passion for photography at the Photoacademy in Amsterdam. He is fascinated by girls in their development towards womanhood. He photographs them when they are younger because they are more innocent, naïve, complex and unfathomable during this time. He sees it as something beautiful, exciting, exceptional, and vulnerable and therefor treats it with a certain amount of passion, love, care, attention and concentration. His photo's are very pure, mystical, unrefined and seemingly natural,
The emphasis is on the natural beauty of the models and having them completely surrender into the moment, thus making them unreachable. LINK loaded LINK jorisvanderploeg
may 30 - june 3 2014
Joris van der Ploeg (1989) discovered his passion for photography at the Photoacademy in Amsterdam. He is fascinated by girls in their development towards womanhood. He photographs them when they are younger because they are more innocent, naïve, complex and unfathomable during this time. He sees it as something beautiful, exciting, exceptional, and vulnerable and therefor treats it with a certain amount of passion, love, care, attention and concentration. His photo's are very pure, mystical, unrefined and seemingly natural,
The emphasis is on the natural beauty of the models and having them completely surrender into the moment, thus making them unreachable. LINK loaded LINK jorisvanderploeg
Friday, May 09, 2014
Here Africa / Ici l'afrique
Here Africa / Ici l'afrique assembles, for the first time in Switzerland, contemporary African art with more than 70 works by 24 artists from 17 African countries. The exhibition is hosted in the premises of the Château de Penthes, Geneva-Pregny, located in the area of United Nations and the international organizations. Originally from Maghreb and sub-Saharan Africa, some residing in Africa while others in the diasporas and coming from different generations, the participating artists and filmmakers are interesting for their great contribution to the aesthetic and cultural development of their continent, as well as for their involvement in key questions regarding African people.
The participating artists and filmmakers* are: Omar Ba (Senegal), Faouzi Bensaïdi* (Morocco), Filipe Branquinho (Mozambique), Frédéric Bruly Bouabré (Ivory Coast), Edson Chagas (Angola), Romuald Hazoumè (Benin), Pieter Hugo (South Africa), Adelita Husni-Bey (Libya), Nadia Kaabi-Linke (Tunisia), Gonçalo Mabunda (Mozambique), Mustafa Maluka (South Africa), Abu Bakarr Mansaray (Sierra Leone), J.D.'Okhai Ojeikere (Nigeria), Joshua Okoromodeke (Nigeria), Richard Onyango (Kenya), Idrissa Ouédraogo* (Burkina Faso), Chéri Samba (Congo), Sarkis & Guem & Perdrix (France-Benin), Zineb Sedira (Algeria), Yinka Shonibare MBE (UK/Nigeria), Malick Sidibé (Mali), Abderrahmane Sissako* (Mauritania), Pascale Marthine Tayou (Cameroon), and Barthélémy Toguo (Cameroon). LINK hereafrica
The participating artists and filmmakers* are: Omar Ba (Senegal), Faouzi Bensaïdi* (Morocco), Filipe Branquinho (Mozambique), Frédéric Bruly Bouabré (Ivory Coast), Edson Chagas (Angola), Romuald Hazoumè (Benin), Pieter Hugo (South Africa), Adelita Husni-Bey (Libya), Nadia Kaabi-Linke (Tunisia), Gonçalo Mabunda (Mozambique), Mustafa Maluka (South Africa), Abu Bakarr Mansaray (Sierra Leone), J.D.'Okhai Ojeikere (Nigeria), Joshua Okoromodeke (Nigeria), Richard Onyango (Kenya), Idrissa Ouédraogo* (Burkina Faso), Chéri Samba (Congo), Sarkis & Guem & Perdrix (France-Benin), Zineb Sedira (Algeria), Yinka Shonibare MBE (UK/Nigeria), Malick Sidibé (Mali), Abderrahmane Sissako* (Mauritania), Pascale Marthine Tayou (Cameroon), and Barthélémy Toguo (Cameroon). LINK hereafrica
Sunday, May 04, 2014
Philip Akkerman
for sale @ catawiki (sold)
Beautiful screen print by
Philip Akkerman
Signed Edition 29/50, 40 x 34 cm.
LINK catawiki
Beautiful screen print by
Philip Akkerman
Signed Edition 29/50, 40 x 34 cm.
LINK catawiki
Saturday, May 03, 2014
THE NEW COLLECTION BUILDING and The Friends of the Park
The development of an open depot building for Museum Boijmans van Beuningen in the centre of Rotterdam is a great chance to intensify the experience of the city. Additionally it offers the museum an extra chance to raise its international profile. But how will the design open itself towards the city? How can the building participate in the cultural life of the city? The Collection Building can be seen as an art warehouse. By designing the building in a round volume the façade surface is optimised. The compact floors are crossed by a route, the Zigzag, which accesses the depots and makes them visible. The Zigzag leads ultimately to the roof terrace where the trees from the current ‘front garden’ of Museum Park will stand. The roof terraces becomes a lifted park. By cladding the building in reflective material the surrounding and the park are mirrored. The park becomes bigger; the building seems to be absorbed by the surroundings like a contemporary ‘fata morgana’. At the locations of the windows the reflective surface is erased so to speak. Here the building shows its collection as a present to the city. LINK dezeen
The Friends of the Park grants Boijmans depot. The Museum Park is in our view, not the appropriate location. On several occasions we have actions publicized through public flyers. Is your opposition also visible? LINK vriendenvanhetpark (in Dutch)
The Friends of the Park grants Boijmans depot. The Museum Park is in our view, not the appropriate location. On several occasions we have actions publicized through public flyers. Is your opposition also visible? LINK vriendenvanhetpark (in Dutch)
Friday, May 02, 2014
Russian Roulette
During the good times on Ukraine television Russian Roulette (Cover by Anna Khokhlova, The X Factor Ukraine) LINK Ukraine television
Thursday, May 01, 2014
Rosas
@ Rotterdamse
Schouwburg may 10
It was 25 years ago that Anne Teresa De Keersmaeker, who was still very young then, created Rosas danst Rosas. It became a classic and has been learned over and over by new groups of dancers. LINK rosas
Schouwburg may 10
It was 25 years ago that Anne Teresa De Keersmaeker, who was still very young then, created Rosas danst Rosas. It became a classic and has been learned over and over by new groups of dancers. LINK rosas
Sunday, April 27, 2014
Ederlezi
Song in Kurdish language
Ederlezi (song) is a popular traditional folk song of the Roma minority in the Balkans. The song got its name after Ederlezi which is a Spring festival, especially celebrated by Roma people in the Balkans (and elsewhere around the world). This holiday celebrates the return of springtime. Ederlezi is the Romani name for the Bulgarian and Serbian Feast of Saint George. It's celebrated on 6 May [O.S. 23 April]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez, a holiday signaling the beginning of spring, occurring approximately 40 days after the spring equinox. Goran Bregović's version (titled "Ederlezi (Scena Djurdjevdana Na Rijeci)"), which actually made the song famous. LINK youtube
Ederlezi (song) is a popular traditional folk song of the Roma minority in the Balkans. The song got its name after Ederlezi which is a Spring festival, especially celebrated by Roma people in the Balkans (and elsewhere around the world). This holiday celebrates the return of springtime. Ederlezi is the Romani name for the Bulgarian and Serbian Feast of Saint George. It's celebrated on 6 May [O.S. 23 April]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez, a holiday signaling the beginning of spring, occurring approximately 40 days after the spring equinox. Goran Bregović's version (titled "Ederlezi (Scena Djurdjevdana Na Rijeci)"), which actually made the song famous. LINK youtube
Saturday, April 26, 2014
Leica T
Leica Camera AG presents a new camera system that combines the fine art of engineering and hand-crafted excellence with design and handling in an entirely new and innovative concept. From the initial idea through to the development process and in its final assembly, the focus of all disciplines involved was on one single thing - perfection. The outcome was the creation of the Leica T-System, a camera with an exquisite finish ‘made in Germany’ that, together with a portfolio of precise, high-performance lenses, offers exceptional versatility and particularly intuitive handling. Unique in design and pared down to the essential functions, the new Leica T-System offers everything anyone could ever need for pure, creative photography and the best image quality. In collaboration with AUDI Design, the typical design language of Leica cameras was revisited and reinterpreted. With its timeless and sleek design, the Leica T picks up the unmistakeable attributes of Leica product design and develops them systematically - with clean lines, smooth surfaces and formal minimalism. One of the camera’s outstanding features is its compact and solid body.
This is manufactured with innovative precision techniques from a single block of aluminium at the Leica factory. The use of premium materials and their processing in an elaborate manufacturing process are unique in the history of camera construction and lend the Leica T an unmistakeable look, feel and solidity. Its substantial weight and a newly developed operating concept underline its user-friendly handling and, together, these features ensure an incomparable photographic experience. LINK leica
This is manufactured with innovative precision techniques from a single block of aluminium at the Leica factory. The use of premium materials and their processing in an elaborate manufacturing process are unique in the history of camera construction and lend the Leica T an unmistakeable look, feel and solidity. Its substantial weight and a newly developed operating concept underline its user-friendly handling and, together, these features ensure an incomparable photographic experience. LINK leica
Friday, April 25, 2014
Modekern
Piet Paris
Modekern collects, provides access to, studies and exhibits the archives of internationally significant Dutch fashion designers in order to broaden and deepen understanding of modern Dutch fashion history. Modekern is an initiative of Premsela, the Netherlands Institute for Design and Fashion; ArtEZ Institute of the Arts; the Museum voor Moderne Kunst Arnhem; and the Gelders Archief. It avails itself of existing infrastructure based on each organisation’s strengths and expertise. The Gelders Archief handles archiving activities. The Museum voor Moderne Kunst Arnhem (MMKA) is responsible for exhibitions and education. ArtEZ Institute of the Arts conducts research. HNI provides support for Modekern and serves as a liaison with the National Design Archive (NOA). LINK modekern
Modekern collects, provides access to, studies and exhibits the archives of internationally significant Dutch fashion designers in order to broaden and deepen understanding of modern Dutch fashion history. Modekern is an initiative of Premsela, the Netherlands Institute for Design and Fashion; ArtEZ Institute of the Arts; the Museum voor Moderne Kunst Arnhem; and the Gelders Archief. It avails itself of existing infrastructure based on each organisation’s strengths and expertise. The Gelders Archief handles archiving activities. The Museum voor Moderne Kunst Arnhem (MMKA) is responsible for exhibitions and education. ArtEZ Institute of the Arts conducts research. HNI provides support for Modekern and serves as a liaison with the National Design Archive (NOA). LINK modekern
Thursday, April 24, 2014
bitforms
Daniel Canogar
Small Data
March 27–Apri 26, 2014 bitforms gallery nyc
bitforms gallery is pleased to announce Small Data, a second solo exhibition in New York with Daniel Canogar. Featuring the premiere of a new series, the exhibit includes nine video projection-mapped objects that are intimate in scale. Based in Spain, Canogar is renowned internationally for his use of discarded electronic materials in his photography, video, sculpture and installations. Finding inspiration in the archeology of new media, he brings the dead back to life. Secrets contained beyond an object's surface are revealed, as he constructs portraits of a society and an age. Canogar is also the creator of numerous public art installations, many of them engaging the participation of local communities, such as Waves in Houston, the world's largest arabesque LED video sculpture; Constelaciones in Madrid at MRío Park, the largest photo mosaic in Europe; and Travesías in Brussels, a commission for the atrium of the European Union Council in 2010. LINK bitforms
Small Data
March 27–Apri 26, 2014 bitforms gallery nyc
bitforms gallery is pleased to announce Small Data, a second solo exhibition in New York with Daniel Canogar. Featuring the premiere of a new series, the exhibit includes nine video projection-mapped objects that are intimate in scale. Based in Spain, Canogar is renowned internationally for his use of discarded electronic materials in his photography, video, sculpture and installations. Finding inspiration in the archeology of new media, he brings the dead back to life. Secrets contained beyond an object's surface are revealed, as he constructs portraits of a society and an age. Canogar is also the creator of numerous public art installations, many of them engaging the participation of local communities, such as Waves in Houston, the world's largest arabesque LED video sculpture; Constelaciones in Madrid at MRío Park, the largest photo mosaic in Europe; and Travesías in Brussels, a commission for the atrium of the European Union Council in 2010. LINK bitforms
Monday, April 21, 2014
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