Sunday, September 29, 2013
Katsumi Hayakawa
Katsumi Hayakawa, born 1970, constructs tri-dimensional worlds made of paper. His works are abstract representations of our de-individualised cities, in which we live and work but do not manage to establish relationships. The buidlings of our cities are the containers and décor of the “absence of existence, the absence of nothingness and the absence of the absence of absence”. LINK Katsumi Hayakawa
Saturday, September 28, 2013
Péter Forgács
Looming Fire
Stories from the Netherlands East Indies (1900–1940)
@ EYE October 5 - December 1, 2013
The Hungarian filmmaker Péter Forgács is considered to be one of the most outstanding found-footage filmmakers. He is best known for the way he ingeniously compiles new work based on amateur films. Forgács created a genre of its own, one which serves to put historical events in a new perspective. His highly individual adaptations of authentic family and amateur films, including those made for the series "Private Hungary" (1988 - 2008), were once described by a critic as a mix of 'anthropology, theatre, documentary and private diary.' In 2007 Forgács was awarded the Erasmus prize for his contribution to the 'culture and historical consciousness of Europe.' So far he has more than forty films to his name, including The Maelstroom, Angelos' Film, Miss Universe 1929 and El perro negro, as well as three major installations. LINK EYE
Stories from the Netherlands East Indies (1900–1940)
@ EYE October 5 - December 1, 2013
The Hungarian filmmaker Péter Forgács is considered to be one of the most outstanding found-footage filmmakers. He is best known for the way he ingeniously compiles new work based on amateur films. Forgács created a genre of its own, one which serves to put historical events in a new perspective. His highly individual adaptations of authentic family and amateur films, including those made for the series "Private Hungary" (1988 - 2008), were once described by a critic as a mix of 'anthropology, theatre, documentary and private diary.' In 2007 Forgács was awarded the Erasmus prize for his contribution to the 'culture and historical consciousness of Europe.' So far he has more than forty films to his name, including The Maelstroom, Angelos' Film, Miss Universe 1929 and El perro negro, as well as three major installations. LINK EYE
Friday, September 27, 2013
Kerry James Marshall
Painting and Other Stuff
@ M HKA 4 October 2013 - 2 February 2014
A long-time resident of Chicago, Kerry James Marshall is widely regarded as one of the greatest painters of his generation. Strongly influenced by his experiences as a young man, Marshall developed a signature style as an artist, centring on the life and history of the black subject. His now-substantial body of work offers his perspective on the complexity of the African-American condition, along with its persistent issues of race politics, cultural representation and social emancipation. In an attempt to reconcile the black subject with images of Western ideals, Marshall places both in his paintings, highlighting determinations of black identity that are contextualised by history and the current social-political situation. Also addressing the history of art, Marshall strives to fill what he describes as the 'lack in the image bank' with his work, whilst raising pertinent questions about how the art system sustains itself and the related issues of legitimation, power and marginalisation. LINK M HKA
@ M HKA 4 October 2013 - 2 February 2014
A long-time resident of Chicago, Kerry James Marshall is widely regarded as one of the greatest painters of his generation. Strongly influenced by his experiences as a young man, Marshall developed a signature style as an artist, centring on the life and history of the black subject. His now-substantial body of work offers his perspective on the complexity of the African-American condition, along with its persistent issues of race politics, cultural representation and social emancipation. In an attempt to reconcile the black subject with images of Western ideals, Marshall places both in his paintings, highlighting determinations of black identity that are contextualised by history and the current social-political situation. Also addressing the history of art, Marshall strives to fill what he describes as the 'lack in the image bank' with his work, whilst raising pertinent questions about how the art system sustains itself and the related issues of legitimation, power and marginalisation. LINK M HKA
Tuesday, September 24, 2013
Tony Ray-Jones
American Colour 1962–1965
A digital edition of Tony Ray-Jones' previously unpublished colour work.
American Colour 1962–1965 is a carefully edited selection Tony Ray-Jones' colour photographs from the earliest period of his work. Taken from the extensive archives held at the National Media Museum in Bradford, this book brings together the early experiments that would inform his later work. Ray-Jones arrived in America in 1961 on a scholarship to Yale to study graphic art and he returned to England four years later. It was in America that he learned to be a photographer. Among New York's street parades, on Fifth Avenue, in Times Square, Chinatown and Little Italy he learned to extract individual moments from a crowded backdrop—to find order in the chaos of the street. At the time colour was considered vulgar and not the medium of serious photography, but for Ray-Jones it expressed the excitement of America in a way that black-and-white could not. LINK mappeditions
A digital edition of Tony Ray-Jones' previously unpublished colour work.
American Colour 1962–1965 is a carefully edited selection Tony Ray-Jones' colour photographs from the earliest period of his work. Taken from the extensive archives held at the National Media Museum in Bradford, this book brings together the early experiments that would inform his later work. Ray-Jones arrived in America in 1961 on a scholarship to Yale to study graphic art and he returned to England four years later. It was in America that he learned to be a photographer. Among New York's street parades, on Fifth Avenue, in Times Square, Chinatown and Little Italy he learned to extract individual moments from a crowded backdrop—to find order in the chaos of the street. At the time colour was considered vulgar and not the medium of serious photography, but for Ray-Jones it expressed the excitement of America in a way that black-and-white could not. LINK mappeditions
Sunday, September 22, 2013
Friday, September 20, 2013
Grensland
In the picture and sound is the story of the life of Aleksandra Tjemnikowa offering great distances traveled, told. Sit down, touch, see, smell and listen. LINK grensland
Wednesday, September 18, 2013
Environments and Counter Environments
Italy: The New Domestic Landscape, MoMA, 1972
September 18 - December 14, 2013
Graham Foundation for Advanced Studies in the Fine Arts Chicago
Curated by Peter Lang, Luca Molinari & Mark Wasiuta
This exhibition highlights the lasting significance of MoMA's groundbreaking 1972 exhibition, Italy: The New Domestic Landscape. Presented for the first time in the United States outside of New York, the Graham Foundation iteration of Environments and Counter Environments, curated by Peter Lang, Luca Molinari and Mark Wasiuta, emphasizes both the dynamic context of radical Italian design and architecture in the 1970s, as well as the innovative exhibition that first presented this work in America. LINK Graham Foundation
September 18 - December 14, 2013
Graham Foundation for Advanced Studies in the Fine Arts Chicago
Curated by Peter Lang, Luca Molinari & Mark Wasiuta
This exhibition highlights the lasting significance of MoMA's groundbreaking 1972 exhibition, Italy: The New Domestic Landscape. Presented for the first time in the United States outside of New York, the Graham Foundation iteration of Environments and Counter Environments, curated by Peter Lang, Luca Molinari and Mark Wasiuta, emphasizes both the dynamic context of radical Italian design and architecture in the 1970s, as well as the innovative exhibition that first presented this work in America. LINK Graham Foundation
Monday, September 16, 2013
Adrian Ghenie and Navid Nuur
Berlin
On the Road to ... Tarascon
20 Sept - 14 Dec, 2013 Opening: 20 Sept, 17 - 22 h
Galeria Plan B is happy to announce the exhibition On the Road to ... Tarascon, the materialization of the conversation between the Romanian painter Adrian Ghenie and the post-conceptual Iranian-born Dutch artist Navid Nuur, unfolding over the last few years. The two artists met in the context of the gallery's program and new episodes in their dialogue were occasioned over time by group exhibitions and art fair presentations. This is in tandem with the mission of the gallery, to be a locus of conversation and collaborative research. LINK Galleria Plan B
On the Road to ... Tarascon
20 Sept - 14 Dec, 2013 Opening: 20 Sept, 17 - 22 h
Galeria Plan B is happy to announce the exhibition On the Road to ... Tarascon, the materialization of the conversation between the Romanian painter Adrian Ghenie and the post-conceptual Iranian-born Dutch artist Navid Nuur, unfolding over the last few years. The two artists met in the context of the gallery's program and new episodes in their dialogue were occasioned over time by group exhibitions and art fair presentations. This is in tandem with the mission of the gallery, to be a locus of conversation and collaborative research. LINK Galleria Plan B
Friday, September 13, 2013
CITY OF DISAPPEARANCES
Kent and Vicki Logan Galleries
September 10, 2013 to December 14, 2013
The exhibition City of Disappearances dramatizes this shared resemblence of the world's cities by borrowing the title of Iain Sinclair's psycho-geographic "anthology of absence" written by and about London. The exhibition imagines a transposition and exchange of the living-imaginary of London conjured in Sinclair's book with the fictions and myths of San Francisco. This conceptual and metaphorical exchange will be followed by a real one as the exhibition travels to London in 2014, where it will be renamed Infinite City after Rebecca Solnit's almanac of San Francisco. LINK Wattis
September 10, 2013 to December 14, 2013
The exhibition City of Disappearances dramatizes this shared resemblence of the world's cities by borrowing the title of Iain Sinclair's psycho-geographic "anthology of absence" written by and about London. The exhibition imagines a transposition and exchange of the living-imaginary of London conjured in Sinclair's book with the fictions and myths of San Francisco. This conceptual and metaphorical exchange will be followed by a real one as the exhibition travels to London in 2014, where it will be renamed Infinite City after Rebecca Solnit's almanac of San Francisco. LINK Wattis
Wednesday, September 11, 2013
Pablo Bronstein
A IS BUILDING, B IS ARCHITECTURE
13.09 - 24.11.13 OPENING: THURSDAY, SEPTEMBER 12, 6 P.M.
The Centre d'Art Contemporain Genève is pleased to present the first solo show of Pablo Bronstein in Switzerland and the first retrospective of its architectural drawings. Performance plays an important dimension in Bronstein work and will be an integral part of the exhibition at the Centre. Pablo Bronstein is interested in the links between classical architecture and contemporary urbanism, between settings and decors, between art and dance. Through drawing, sculpture, video and performance, he looks at the historical otherness in order to unveil the links between power, fascination and classical art. His work often combines references to history of architecture- from the Roman antiquity and the Baroque to Neo-classicism and Post-modernism, as well as hints to history of art - from the Renaissance to the Modern period. LINK Centre d'Art Contemporain Genève
13.09 - 24.11.13 OPENING: THURSDAY, SEPTEMBER 12, 6 P.M.
The Centre d'Art Contemporain Genève is pleased to present the first solo show of Pablo Bronstein in Switzerland and the first retrospective of its architectural drawings. Performance plays an important dimension in Bronstein work and will be an integral part of the exhibition at the Centre. Pablo Bronstein is interested in the links between classical architecture and contemporary urbanism, between settings and decors, between art and dance. Through drawing, sculpture, video and performance, he looks at the historical otherness in order to unveil the links between power, fascination and classical art. His work often combines references to history of architecture- from the Roman antiquity and the Baroque to Neo-classicism and Post-modernism, as well as hints to history of art - from the Renaissance to the Modern period. LINK Centre d'Art Contemporain Genève
Tuesday, September 10, 2013
Grensland
A cross-border life from Aleksandra Tjemnikowa, exhibited.
Curated by Lisa Weeda
LINK Generale Oost
LINK Map
LINK Lisa Weeda
Curated by Lisa Weeda
LINK Generale Oost
LINK Map
LINK Lisa Weeda
Sunday, September 08, 2013
Phoebus today
An Impression, DPhoto
Mark Cloet, Janna Huyghe, Bernadette Beunk and others.
LINK phoebus (site in Dutch)
Mark Cloet, Janna Huyghe, Bernadette Beunk and others.
LINK phoebus (site in Dutch)
Thursday, September 05, 2013
Rome
The still Untitled project comes from artist Kowalski personal need to change the world, to show how the city of Rome has changed over the decades and how it’s grown into an incredibly busy and complex metropolis. Each image consists of 3 to 5 photographs taken at different times and representing different architectural periods.
Put together, they fall into places, dance with each other in an unexpectedly symbiotic way, co-existing in the mosaic of shapes and colors, symbolizing strength, diversification and synergy of the Rome as we know it today. LINK kowalski
Put together, they fall into places, dance with each other in an unexpectedly symbiotic way, co-existing in the mosaic of shapes and colors, symbolizing strength, diversification and synergy of the Rome as we know it today. LINK kowalski
Tuesday, September 03, 2013
Carl Michael Von Hausswolff
@ Lunds konsthall
Carl Michael von Hausswolff: I am the Others
7 September - 3 November 2013
Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm, and had since the end of the 70s worked as a composer using the tape recorder as his main instrument. He has often collaborated with other artists (such as Erik Pauser, Leif Elggren, Andrew McKenzie, Johan Söderberg, Zbigniew Karkowski, Graham Lewis, David Jackman, Jean-Louis Huhta and Kim Cascone). He devised the concept and is the curator of the Freq_Out sound collective. Hausswolff's audiovisual works have also found outlets in pictorial art. On the 27th of May 1992 at 12 Noon GMT, alongside Leif Elggren, he proclaimed the Kingdom of Elgaland-Vargaland, a new country established as a work of art. LINK Lunds konsthall
Carl Michael von Hausswolff: I am the Others
7 September - 3 November 2013
Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm, and had since the end of the 70s worked as a composer using the tape recorder as his main instrument. He has often collaborated with other artists (such as Erik Pauser, Leif Elggren, Andrew McKenzie, Johan Söderberg, Zbigniew Karkowski, Graham Lewis, David Jackman, Jean-Louis Huhta and Kim Cascone). He devised the concept and is the curator of the Freq_Out sound collective. Hausswolff's audiovisual works have also found outlets in pictorial art. On the 27th of May 1992 at 12 Noon GMT, alongside Leif Elggren, he proclaimed the Kingdom of Elgaland-Vargaland, a new country established as a work of art. LINK Lunds konsthall
Sunday, September 01, 2013
Hopscotch
DPhoto Rotterdam
Hopscotch is a children's game that can be played with several players or alone. Hopscotch is a popular playground game in which players toss a small object into numbered spaces of a pattern of rectangles outlined on the ground and then hop or jump through the spaces to retrieve the object. LINK hopskotch
Hopscotch is a children's game that can be played with several players or alone. Hopscotch is a popular playground game in which players toss a small object into numbered spaces of a pattern of rectangles outlined on the ground and then hop or jump through the spaces to retrieve the object. LINK hopskotch
Rebetika
(Greek: ρεμπέτικο en ρεμπέτικα)
Rene Castelijn
Photo: Irma Rademaker
Rebetiko, plural rebetika, (Greek: ρεμπέτικο, pronounced [reˈbetiko] and ρεμπέτικα respectively), occasionally transliterated as Rembetiko, is a term used today to designate originally disparate kinds of urban Greek folk music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. LINK ρεμπέτικο
Rene Castelijn
Photo: Irma Rademaker
Rebetiko, plural rebetika, (Greek: ρεμπέτικο, pronounced [reˈbetiko] and ρεμπέτικα respectively), occasionally transliterated as Rembetiko, is a term used today to designate originally disparate kinds of urban Greek folk music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. LINK ρεμπέτικο
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