On Monday, August 6th, a group from the Centro de Estudios Borjanos (CESBOR), an institution dedicated to research and support of the history and culture of the small town of Borja, outside Zaragoza in the autonomous region of Aragon, northeastern Spain, visited a local church to examine the condition of a certain fresco. The painting on the wall of the church of the Sanctuary of Mercy was the only work in town done by turn of the century artist Elías García Martínez and one of his granddaughters had just donated money to restore it.
The fresco, a 20-by-15-inch portrait of Christ wearing the crown of thorns called Ecce Homo, was in poor condition. Water leaks and salt damage left the paint flaking off so that in the past 10 years it had gone from looking like this:
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